The Spine - Angels in America Essay Example | Topics and Well Written Essays - 1250 words

The Spine - Angels in America - Es opine ExampleThe setting is in America and the backdrop of greed, conservation, sexual politics and the discovery of an appalling new infection (AIDS) characterize it. Millennium Approaches and perestroika are well-illustrated development specific situations (Kushner, 23). The reconstruction of the American identity is based on the deliberate recycling of traditional American myths and elements of American culture. Gay characters envisage numerous themes, which include the American history, politics, religion, social policies and lifestyle, lead the play. Some of the characters in this play include, Prior Wlter, Louis Ironson, Harper Pitt, Joe Pitt, Roy Cohn, Ethel Rosenberg, Hannah Pitt, Belize and the voice or nonesuch (Kushner, 34). The play remains the most love and honored in America. Some critics term it as a political drama while others announce it a gay drama. The pay is made up of two parts namely, the Millennium Approaches and the Per estroika (Kushner, 12). In essence, a fantasia refers to a piece of musical thought sinuous from another with diminutive regard for set forms or standards. Kushner makes the play flow by allowing overlapping scenes in a contraptual manner, where characters move in and out in simultaneous dialogues. The settings from offices to house to parks and hospitals rapidly modification to align with the thematic change. The spine of this play is vestigially the history of America and politics. The peoples history outlines fundamental features that characterize a typical American person (Kushner, 40). The social element that sees characters like Prior Walter and Roy Cohn practice and support are a fundamental feature of the American social fabric. However, it is imperative to note that, diversity is expressed in sundry ship canal by the characters. For instance, the Cohn develops the theme of politics (Kushner, 39). Cohn vividly reveals a political aspect portrayed by self-repugnance, major power hungry hypocrite. American history develops with the authors sense of employing the Brechtian epic mode and form. The play is immensely influenced by the use of numerous points of perception and a dialectical hallucination of history. Kushner succeed to describe the angel of history of America as looking as though moving away from something he is steadily contemplating. The like to stay and awaken the dead. The eyes are staring, and the wings are wide spread. The face is off-key towards the past. However, the storm is blowing from paradise. This storm propels him into the future to which his back is turned. The storm is called progress (Kushner, 257-58). It is noticeable that, the listed features characterize the angel of history. They pull out the peoples desire to remain with the past historical practices, but it seems not possible payable to the strong storm that blows. The storm is symbolically used to indicate the intense sense for a change in the social, economical and political patterns. Kushners hallucination transcends and answers numerous of the multifaceted contradictions we grapple. Art deposes politics. In hurt of Louiss scrutiny on the absence of angels in America, only political supremacy existed, Kushner seem to say that art, love and vision, alongside the power of muddled human rendezvous and forgiveness, can outshine the static antecedent of the angels. Angels cannot grapple our world. It is moving too swift for them. They do not visage the choices and dilemmas that influence humanity. They cannot